This dissertation considers how women’s spectatorship—how women are imagined as viewing subjects, and what are defined as feminine ways of watching—is transformed by digital technologies, and what it reveals about the shifting nature of privacy and visibility. It maps the contours of our current configuration of gendered looking relations by...
This dissertation argues that network television was a vehicle for the promotion and enactment of female intellectualism in the US during the period directly following World War II. Beginning in the late 1940s and throughout the 1950s, network television included among its offerings programs that were designed to appeal to...