This critical/theoretical history of performance art investigates the relationship between the body of the artist and the infrastructure of the city in Los Angeles and New York City between 1970 and 1985, with specific attention to how performance art resists, renegotiates, and responds to architectural functionalism. Using performance studies as...
Unmournable Void: Tending-Toward the Dead and Dying in Contemporary Black Performance and Visual Art, explores critical artistic practices that tend to the historical conditions of anti-black violence resulting from transatlantic slavery, colonialism, and apartheid. This triad of regimes produced the Black condition as the unmournable void lived in close proximity...