This multi-study dissertation explored technology and creativity within three different technology-rich creative musical spaces. Through the use of three contrasting empirical methods (qualitative content analysis, intrinsic case study, and phenomenology), I explored the complex ways technology and musical creativity are linked. In the first study, I completed a content analysis...
In this dissertation I leverage new data from the global music recording industry to study the social foundations of creativity and the relationship between product novelty, gender, and commercial success. In Chapter 1, I investigate how different kinds of social connection influence the creation of novel cultural products. Using data...