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Yugoslav Television between Conformity and Dissidence — Ideological Hybridity in Informational and Fiction Genres (1980–1995)

Description:

Yugoslav wartime television news often conformed to the demands of the political regimes. Informed by this knowledge, scholars have argued that TV as a medium incited and legitimized the wars by fostering ethnonationalist ideologies. Using archival and textual analysis, this project examines how television reacted to the political constraints imposed...

Keyword:

Genre, Hybridity, Television, Postcolonial theory, Third space, and The former Yugoslavia

Subject:

Film studies and Communication

Creator:

Jelušić, Jelena

Owner:

Scholarly Digital Publishing

Language:

en

Date Uploaded:

06/22/2022

Date Created:

2022-01-01

Resource Type:

Dissertation

Alternate Identifier:

http://dissertations.umi.com/northwestern:16029 and etdadmin_upload_900278
The Color-Image: Chromaticism and the Multiplicity of Worlds in Jean-Luc Godard and Claire Denis

Description:

This project studies the formal experimentations with color in postwar cinema as a paradigm for exploring larger theoretical and political questions relating to postwar aesthetics. Borrowing from an understudied concept of Gilles Deleuze’s theory, “the color-image,” my first chapter shifts the conversation away from reading color as strictly symbolic or...

Keyword:

French cinema , Postcolonial theory, Claire Denis, Jean-Luc Godard, Gilles Deleuze, and Postwar cinema

Subject:

French literature

Creator:

Tasevska, Tamara

Owner:

Scholarly Digital Publishing

Language:

en

Date Uploaded:

02/02/2022

Date Created:

2021-01-01

Resource Type:

Dissertation

Alternate Identifier:

http://dissertations.umi.com/northwestern:15812 and etdadmin_upload_854907

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Yugoslav Television between Conformity and Dissidence — Ideological Hybridity in Informational and Fiction Genres (1980–1995)

The Color-Image: Chromaticism and the Multiplicity of Worlds in Jean-Luc Godard and Claire Denis

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