This dissertation aims to rethink how contemporary feminism might grapple with complicity, cooptation, and the concomitant failure of feminist successes through a frame other than paradox. Arguing that the paradox frame locks us into a set of “dead ends,” I shift to an orientation toward spaces between. Through sustained engagement...
In the seventeenth and eighteenth centuries, hundreds of Venetian women began musical training in childhood to become professional musicians, known as figlie di coro (daughters of the choir), in the four charitable Ospedali Maggiori. These women overcame childhood poverty and abandonment to awe prestigious guests with their skills and even...