In this dissertation, I assert that a contradictory aesthetic has remained and been reborn in the U.S. daytime soap opera through time and technology; I call this the “everyday implausible.” Using textual analysis and archival research, I follow this genre from its beginnings on radio, through its move to television...
This dissertation argues that network television was a vehicle for the promotion and enactment of female intellectualism in the US during the period directly following World War II. Beginning in the late 1940s and throughout the 1950s, network television included among its offerings programs that were designed to appeal to...