This dissertation explores how dominant U.S. constructions of race, class, and gender are embedded into and inscribed onto artificially intelligent virtual assistants and the labors they perform. I examine virtual assistants like Amazon’s Alexa, Apple’s Siri, and Microsoft’s Cortana, interrogating their complex relationship to humanness, the tasks they are programmed...
This dissertation considers how women’s spectatorship—how women are imagined as viewing subjects, and what are defined as feminine ways of watching—is transformed by digital technologies, and what it reveals about the shifting nature of privacy and visibility. It maps the contours of our current configuration of gendered looking relations by...
Having an Experience: Media Franchises, Events, & Participatory Culture explores, like its title suggests, what we mean when we talk about “having an experience” in today’s media culture. Traveling to an expanded network of sites where media fans are actively called to go out and “have an experience” in the...
Yugoslav wartime television news often conformed to the demands of the political regimes. Informed by this knowledge, scholars have argued that TV as a medium incited and legitimized the wars by fostering ethnonationalist ideologies. Using archival and textual analysis, this project examines how television reacted to the political constraints imposed...
This dissertation is a contribution to the depth and breadth of prison media history. I position prison media of the 1970s as key antecedents to the prison reality television of the 2000s and today. The purpose of this arrangement is to bring attention to an era of prison media that...